Letters during WWII kept soldiers fighting oversees aware of what was happening at home. How their families and loved ones were faring. Letters remained a vital part of communication even after the fighting ended. But the interesting thing to me is the many forms of communication that I found in my dad’s collection of correspondence.
Not only penned letters on stationary, but also telegrams, post cards, greeting cards, and the most intriguing Victory Mail (V-Mail). There is a complete history and explanation at that link about the format and uses of V-Mail. Including a tutorial of sorts on how letters should be written to be upbeat and positive to bolster the reasons for why the men were fighting. It’s an interesting online exhibit to poke around in.
I’ve been slowly working my way through transcribing my dad’s correspondence so I thought I’d share a few examples of the kinds of ways he sent and received letters. Note that I started with the year they married, 1948, as that has the bulk of the exchange since they were getting reacquainted after not contacting each other in years. As you can see in this photo of all his letters, sorted by year, month, and day, there are a lot of letters to get through.
My mother’s stationery varied over time but here’s an example from July 1948:
Upon occasion, Dad started typing his letters on the letterhead for the photography company he worked for:
Dad sent a postcard to my mother in September 1948, but included within the folded letter in an envelope:
Mom sent Dad a telegram to confirm when she’d arrive in Miami in June 1948 for a visit with him, bringing her sister along for the vacation:
But seriously look at the number of V-Mail letters my dad received! They are each a little bigger than a playing card, or maybe about the size of a tarot card.
The V-Mail letters are from his friends, fellow soldiers, brothers and sisters, and mother. I didn’t find any letters between father and son, though. Which isn’t surprising because they really didn’t see eye-to-eye. Dad harbored some hard feelings toward his father to the last of his days.
In Notes of Love and War, you’ll find letters, telegrams, and V-Mail being exchanged between Audrey and her brother, father, and Charlie. The formats within the book are designed to reflect, though not exactly replicate, each form of communication. It’s more apparent in the paperback than ebook, of course, since the medium allows for anchoring the text to the page in ways that a digital book cannot. My aim was to provide a feeling for the varying kinds of communication and thus lend a sense of the times to modern day readers.
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Audrey Harper needs more than home and hearth to satisfy her self-worth despite being raised with the idea that a woman’s place is in the home. Working as a music critic for the city newspaper in Baltimore, Maryland, during the Second World War, she’s enjoyed both financial freedom and personal satisfaction in a job well done. When she uncovers evidence of German spies working to sabotage a secret bomber plane being manufactured in her beloved city, she must choose between her sense of duty to protect her city and the urgings of her boss, her family, and her fiancé to turn over her evidence to the authorities. But when her choices lead her and her sister into danger, she is forced to risk life and limb to save her sister and bring the spies to justice.
Set against the backdrop of the flourishing musical community during the 1940s in Baltimore, Notes of Love and War weaves together the pleasure of musical performance with the dangers of espionage and spying.