Getting to know Jennifer Worrell #author #scifi #bibliophile #noir #thrillers #crimefic #books #fiction

My guest today is a debut novelist with quite a story to tell. Please help me welcome Jennifer Worrell! Let’s peek at her bio and then find out more about her and her story.

If Jennifer were to make a deal with the Devil, she’d ask to live—in good health—just until she’s finished reading all the books. She figures that’s pretty square.  In case other bibliophiles attempt the same scheme, she’s working hard to get all her ideas on paper. She writes multi-genre fiction and the occasional essay, and is currently working on a sci-fi novel and a handful of picture books that may or may not be suitable for children.

Jennifer works at a private university library in Chicago. Edge of Sundown is her first novel. She’s always been drawn to “what-ifs” and flawed characters, and has never quite mastered the happy ending. You can sign up for her newsletter and read pieces published in various nifty literary magazines and anthologies at linktr.ee/JenniferWorrell.

Author Social Links:  Twitter * Facebook

Betty: What inspired you to write the story you’re sharing with us today?

Jennifer: The notion of covert extremists covertly eliminating people who outlived their worth seemed deliciously surreal, and since I’m frequently anxious about one day losing my ability to write, I was excited to explore the connection between the two.  But I started writing the novel before conspiracy theorists grew so much larger and louder in real life. 

Betty: Which character arrived fully or mostly developed?

Jennifer: My protagonist, Val Haverford.  He and the plot were entwined from the start, though he mellowed out a little as the drafts became more polished.  The story is character-driven, so although he’s more of a passive fellow, everything that happens stems directly from the type of person he isn’t.

Betty: Which character(s) were the hardest to get to know? Why do you think?

Jennifer: My villain, who shall go unnamed to prevent spoilers.  I’d like to think it’s because I’m not quite as evil or misguided.  I also feared readers would perceive them as a little too enthusiastic about their obsessions and consign those attributes to me.

Betty: What kind of research did you need to do to write this story?

Jennifer: I read all sorts of history on supremacist groups, which was not fun.  The aftereffects of garroting was much more interesting, as was traveling a few hours downstate to Val’s childhood town (fictionalized in the novel).   I also rediscovered my own, in order to avoid making mistakes.  Unfortunately, I still made some incorrect references, which proves that setting the majority of your book in your own city doesn’t make things any easier.

Betty: How many drafts of the story did you write before you felt the story was complete?

Jennifer:  I lost count.  I believe it was in the ballpark of eleventy billion and three, and it wasn’t so much a feeling of completeness as “you’re going to tweak this into oblivion.” 

Betty: How long did it take for you to write the story you’re sharing with us? Is that a typical length of time for you? Why or why not?

Jennifer: I spent roughly six years on it.  In my defense, I also wrote short stories whenever I needed a break or a shiny new idea wouldn’t let me alone.  But I am the world’s slowest writer, and often work when the muse strikes rather than on a daily schedule.

Betty: What rituals or habits do you have while writing?

Jennifer: Unfortunately I can’t seem to get in the proper mindset until mid-afternoon.  Then I need to be at the keyboard (I only handwrite while taking notes) with coffee.  I log off social media because the temptation to noodle around on there is too great, and suddenly it’s tomorrow.  I need to have a big block of uninterrupted time in order to get lost in the project.

Betty: Every author has a tendency to overuse certain words or phrases in drafts, such as just, once, smile, nod, etc. What are yours?

Jennifer: A friend pointed out that passive voice ruined my prose, so I’m trying to watch out for that.  And I tend to repeat words and phrases, but every story repeats different things, which makes the habit impossible to break!

Betty: Do you have any role models? If so, why do you look up to them?

Jennifer: Marilynne Robinson and Jeanette Winterson’s writing is so delicious.  I’m in awe of what they do with prose and mood.  I discovered new favorites recently: John Mantooth and Hank Early, whose characters and settings wouldn’t let me go.  Ditto Howard L. Anderson, who also does amazing things with tone.  He was even kind enough to blurb my book. 

Betty: Do you have a special place to write? Revise? Read?

Jennifer: I love writing outside.  Since the pandemic, I got tired of bending over TV tables, so I bought a nice proper table and set it near a window in the living room, and it’s the next best thing in bad weather.  I do most of my reading on the train to work, and at home it’s either the couch or a comfy chair in the bedroom, depending what the cat allows.

Betty: Many authors have a day job. Do you? If so, what is it and do you enjoy it?

Jennifer: I’m the assistant to the dean and office manager at a university library.  It’s the first job where I really feel at home, with people who are supportive of my writing.  And I’m surrounded by books! 

Betty: As an author, what do you feel is your greatest achievement?

Jennifer: I wanted to be a novelist since I found out such a thing existed.  I’m lucky that I found publication with a small press, and got my start with many great literary magazines and anthologies.

Betty: Success looks different to different people. It could be wealth, or fame, or an inner joy at reaching a certain level. How do you define success in terms of your writing career?

Jennifer: I think once I reach all my goals without justifications or caveats, I’ll finally feel successful.  I’m not quite there yet, but I have one toe on the path. 

Val Haverford’s sci-fi and western novels made him a household name. But that was then. A decade of creative stagnation and fading health has left him in the literary wilderness.

Attempting to end his dry spell and secure his legacy, Val pens a dystopian conspiracy theory set in a tangential universe where alien invaders eliminate ‘undesirables’ perceived as drains on society.

But as he digs deeper into violence plaguing his adopted home of Chicago, he discovers unsettling similarities between his work in progress and a life he thought he left behind. Soon he finds his fictional extremists are not only real—they’re intent on making sure his book never sees the light of day.

As he pieces together haunting truths about his city and his motives, Val realizes his last chance to revive his career and reconcile the past could get him—and the people he loves—killed.

Will he make the right choice? Or will it be too late?

Edge of Sundown is a provocative story that shows how the desperation of lost opportunity can lead to drastic and unexpected consequences.

Buy Links: Amazon

That’s quite a tale! I hope it all works out for Val. Thanks for sharing your story with us, Jennifer!

Happy reading!

Betty

Award-winning Author of Historical Fiction with Heart, and Haunting, Bewitching Love Stories

Visit www.bettybolte.com for a complete list of my books and appearances.

Subscribe to My Newsletter to learn the inside scoop about releases and more!

Follow Me on Amazon / Facebook / Twitter

Initial Thoughts on The Mountains Sing by Nguyen Phan Que Mai #HistoricalFiction #HistFic #amwriting #amreading #books #novel #mustread #review

The next book on my Historical Fiction Around the World tour Nguyễn Phan Qué Mai’s The Mountains Sing. I’ve dipped my reading toes into the story to test the waters. I’m enjoying the writing and the author’s voice that is telling the story. Good signs!

I’m intrigued by the organization of the novel. It comprises 16 chapters, each a different place and range of time in Viet Nam. The opening chapter is set in 2012 with the final chapter in 2017. In between are flashbacks to different periods of the 20th century: 1930-1980.

I recently heard another author talking about the cultural differences between storytelling/fiction in Western versus Eastern cultures. That reminded me to dig deeper into those distinctions to further my appreciation of the novel I’m reading. I wasn’t really surprised to see how much analysis and discussion there is regarding this topic. If you haven’t poked a nose into the discussion, you might start with this blog. You’ll at least come away with an understanding of the effects of culture on storytelling. I’ll continue reading with those concepts in mind to make sure I see them, too.

The use of extensive flashbacks isn’t new to me. It can be an effective way to tell the story of a person, since the character/person must have lived for some stretch of their life before you can tell their story. Understanding stems from distance from the events of our life, in many ways. At the moment, we don’t always appreciate the underlying significance of our choices and decisions or serendipity. That’s my feeling, anyway.

Okay, I need to get back to reading so I can let you know what I think of the story itself next time.

Happy reading!

Betty

P.S. If you haven’t already, please consider signing up for my newsletter, which I send out most every month, including news like new covers, new releases, and upcoming appearances where I love to meet my readers, along with recipes and writing progress. Thanks and happy reading!

Visit www.bettybolte.com for more on my books and upcoming events.

On sale for only $1.99 (ebook)!

Amy Abernathy is a woman renowned for her storytelling prowess but even she cannot invent a sound reason for her suitor’s inexplicable actions. She picks up the shreds of her heart and endeavors to forget him, until he suddenly appears without any fanfare or explanation.

Benjamin Hanson returns to make amends with his captivating Amy. While he knows she’s upset with him, he also knows she’ll eventually forgive him and agree to marry him. But marriage has to wait until after he’s finished spying for the Americans against the British during the war.

When he discovers her and a friend—along with a precious gem—missing from her sister’s home, he finds them in the hands of desperate renegade soldiers. Can he protect the women, the gem, and his heart before it’s too late?

Books2Read    Amazon     Barnes and Noble     Kobo     Apple    Bookshop

Getting to know Linda Ballou #author #historicalfiction #histfic #adventurer #traveller #blogger

Please help me welcome a fellow historical fiction author, Linda Ballou, who had the enviable job of living in the Hawaiian Islands to conduct her research! Let’s take a peek at her bio and then find out more about her.

Adventure travel writer, Linda Ballou, is the author of three novels and numerous travel articles appearing in national publications. Wai-nani, a New Voice from old Hawai’i, is her ultimate destination piece. It takes you to the wild heart of old Hawai’i, a place you can’t get to any other way. Hang on tight for a thrilling ride from the showjumping arena to the ethereal beauty of the John Muir Wilderness in The Cowgirl Jumped Over the Moon. Her latest effort, Embrace of the Wild, is historical fiction inspired by the dynamic Isabella Bird, a Victorian-age woman who explored Hawai’i and the Rocky Mountains in the late 1870s.  Linda’s travel collection Lost Angel Walkabout-One Traveler’s Tales is an armchair traveler’s delight filled with adventure to whet your wanderlust. Linda loves living on the coast of California and has created a collection of her favorite day trips for you in Lost Angel in Paradise. All of her books are available at www.LindaBallouAuthor.com and online distribution sites in print and e-book format. She spotlights her travels on www.LostAngelAdventures.com.

Author Social Links: Facebook * Twitter

Betty: What inspired you to write the story you’re sharing with us today?

Linda: Ka’ahumanu was a woman in history that stirred my imagination. Brave, athletic, strong, passionate, caring, and centered in herself, I saw her as a role model and forerunner to the modern woman. She became the inspiration for my character, Wai-nani. I was first introduced to this character in history in the 70s –a time when women were breaking out of accepted molds. Her literal journey follows the rise of Kamehameha the Great, but her more important mythological journey takes her to her truth and discovering the extent of her powers.

Betty: Which character arrived fully or mostly developed?

Linda: Wai-nani (Ka’ahumanu) embodies all that was good in ancient Polynesian society. Athletic, assertive, and brave she stands beside her warrior-king husband sharing in his joys and sorrows for forty years. Like all Hawaiians, she is a water baby—finding strength, solace, and wisdom in the sea. Her greatest pleasure is swimming with her wild dolphin friend, Eku. Throughout her life, she rails against the “kapu system” that calls for human sacrifices, separate eating-houses for men and women, and severe penalties for the slightest infractions of laws imposed upon the common people by ruling chiefs and priests vested with the power of gods. She triumphs and becomes the most powerful woman in old Hawaii. I tried to bring this powerful personage in history to life for modern readers.

Betty: Which story element sparked the idea for this story: setting, situation, character, or something else?

Linda: When I was 28, I took one blissful year off and spent it on the north shore of the Island of Kauai. I took a job as a cub reporter on the local paper. It happened that they ran a 200th-anniversary issue spotlighting the arrival of Captain James Cook on Kauai in 1778. This is where ano ano, the seed, was planted and the story took root in my heart. Historical accounts often speak of the savage Hawaiians stabbing the great navigator in the back. This prompted me to learn more about what was happening in the Hawaiian culture at that time. What I learned disturbed me. Indeed, they did kill the good captain. It is also true that Cook’s men trespassed on sacred ground, trampled on religious beliefs and ate the natives out of house and home. Ka’ahumanu and Kamehameha were there. I determined to tell the story of Cook’s demise and what followed through her eyes.

Betty: Which character(s) were the hardest to get to know? Why do you think?

Linda: Getting into the mindset of the warrior prophesied to unite the warring Hawaiian Islands required relinquishing traditionally held values and attempting to absorb the ways of the ancient Polynesian view. He was inward, meditative, and sometimes sullen, but always brave and determined to fulfill his destiny.

Betty: What kind of research did you need to do to write this story?

Linda: Research for this story spanning twenty years became a beautiful obsession for me. I visited all the places described in the story to absorb the ancient mana, or spiritual energy resting there for those who chose to receive it. I read all of the oldest chronicles written by natives who were taught to read and write by missionaries. I interviewed a healing kumu in Hilo and spoke with elders about Hawaiian beliefs many of which are relevant today. Martha Beckworth’s Hawaiian Mythology was my greatest resource for the facts about the ancient Hawaiian culture. The Hawaiian language is difficult for westerners, so I added a glossary of words I used in the text and changed the names of the characters to make it easier for western readers to relate and become engaged in the story.

I have a playlist on youtube that answer the most common questions I receive about the ancient Hawaiian culture

Betty: How many drafts of the story did you write before you felt the story was complete?

Linda: At least three. I conferred with my editor, a Hawaiian scholar, and got beta reader opinions before daring to publish this story which is sacred to the Hawaiian people. I was told by the Hawaiian scholar that my story was charming, but if a haole (white foreigner) published this fictionalized account of the Hawaiian story, I would receive 200 years of bad luck. This set me back on my heels for at least a year. In the end, I took Anais Nin’s words to heart and moved forward.

And then the day came

When the risk to remain

Tight in a bud was more painful

Than the risk it took to blossom. Anais Nin

Betty: How long did it take for you to write the story you’re sharing with us? Is that a typical length of time for you? Why or why not?

Linda: The actual writing perhaps three years, but the depth of research was a twenty-year excuse to be in the Islands. Typically, it will take me a year, or so to write a novel.

Betty: What rituals or habits do you have while writing?

Linda: I read materials relevant to the subject I am writing about the night before enlisting my subconscious to the task while I sleep. Then I write first thing in the morning before being interrupted by the demands of the day. If I get 500-1000 words out I think I’m doing great.

Betty: Every author tends to overuse certain words or phrases in drafts, such as just, once, smile, nod, etc. What are yours?

Linda: I tend to gush over the beauty of a place. I have to tone this down so that my work is not too flowery. Many readers view me as a nature writer. I take that as a compliment.

Betty: Do you have any role models? If so, why do you look up to them?

Linda: I wrote a piece titled Jack London and Me. It is about the many connections I have to this man and how our paths have crossed. Jack lived life with daring and bravado. He was also very generous to others. He is considered the master of adventure writing. I admire his writing as well as his zest for life. I visit his Beauty Ranch where he rests in the Valley of Moon as often as I can to pay my respects to a great man and wonderful writer.

Betty: Do you have a special place to write? Revise? Read?

Linda: I live in what I call the “Cottage of Content” in the Santa Monica Mountains. I am surrounded by trees and watch my birds flit through the canopy while I write. I am happy here away from the fray. After lunch, I take a meditative walk in the mountains. When I return, I sit on my deck, feet on the rail, reading what I wrote that morning and reflecting on how it can be better. That is a perfect writing day for me.

Betty: Many authors have a day job. Do you? If so, what is it and do you enjoy it?

Linda: I have sold real estate all my adult life. I am listed as an independent contractor on my tax returns. This position affords me the freedom to back off, or hit it hard. It has served me well over the years. It has given me the freedom to travel and write about my adventures. I have achieved a delicate balance between selling real estate and my writing projects and feel blessed to have both worlds.

Betty: As an author, what do you feel is your greatest achievement?

Linda: Publishing Wai-nani is my proudest achievement. It was by far the most difficult and complicated work that I have done. Writing it in the first person meant I couldn’t use any modern words like plastic. I had to be very careful about being accurate in my depiction, still, I knew there would be push back from some Hawaiians. I am happy to report I have good reviews from long-term Hawaiian residents, and blooded Hawaiians as well. I love this story and have no regrets.

Betty: What other author would you like to sit down over dinner and talk to? Why?

Linda: I would love to join Jack and Charmian London for one of their dinners with the many fascinating friends they invited to the Beauty Ranch. To ride with them through the redwoods and swim in the lake Jack created is a fond fantasy of mine. We wouldn’t talk about writing, I would ask him about his many adventures, especially his time in the Islands. He was loved by the Hawaiians for the way he told their stories.

Betty: Success looks different to different people. It could be wealth, or fame, or an inner joy at reaching a certain level. How do you define success in terms of your writing career?

Linda: One reader told me “Your book was my salvation. It took me out of myself while I was going through a bad patch.” This kind of feedback is not uncommon. It makes me feel the time I spend writing is worthwhile. I sell houses to keep a roof over my head, I write stories to soothe my soul and to connect with other human beings.

Born into the royal class, Wai-nani rails against harsh penalties for women meted out by priests and ruling chiefs invested with the power of gods. Her rebellion takes her on a journey that puts her squarely into the eye of a political storm.

She meets Makaha, inspired by Kamehameha the Great, an inward thinking youthful warrior who is prophesied to unite the Hawaiian Islands. This is the beginning of a tumultuous forty-year love affair. Makaha accepts the challenge to end years of tribal wars and gives Hawaii a golden age. Wai-nani must decide if she will stand beside him before, during, and after his rise to power.

Like all Hawaiians, Wai-nani is a water baby finding sustenance and solace in the sea. Her best friend is a dolphin named Eku who swims with her on her mythological journey. She tells us what was happening in her beautiful world when Captain Cook arrived bringing new weapons and spreading disease in his wake. Wai-nani follows the rise of Makaha to power, but when he dies she breaks from his old ways. Beloved by the common people she defies death-dealing priests to lead them to freedom from the harsh, 2,000-year-old Polynesian “Kapu” system that called for human sacrifice to pagan gods.

Buy Links: Amazon * B&N * Bookshop * Website

Thanks for sharing the backstory of your story, Linda!

Happy reading!

Betty

Award-winning Author of Historical Fiction with Heart, and Haunting, Bewitching Love Stories

Visit www.bettybolte.com for a complete list of my books and appearances.

Subscribe to My Newsletter to learn the inside scoop about releases and more!

Follow Me on Amazon / Facebook / Twitter

My Impressions of The Woman Who Breathed Two Worlds by Selina Siak Chin Yoke #HistoricalFiction #HistFic #amwriting #amreading #books #novel #mustread #review

I’ve finished reading The Woman Who Breathed Two Worlds by Selina Siak Chin Yoke. As I’ve said previously here, this paperback comprises 464 pages including several informational sections like a glossary and a word about the language used in the story. It’s consists of 5 parts plus a prologue and epilogue, more on that in a minute. The story is written in first person past tense, which is suitable for someone writing a memoir-esque work of fiction. In fact, the author uses a distinctly nonfiction technique throughout her story.

If you’re looking to virtually experience Asian culture, in this case Malay and Chinese, I’d highly recommend this story. Not only the language used, the expressions used, but also the décor, the clothing, the food, the religious rituals and rites. All is woven into a beautiful tapestry of life and people in Malay.

But more than just a fictionalized cultural study, the story explores the tensions between tradition and modernizing. Of following the dictates and norms of how one is raised to act and behave, as opposed to what the next generation adapts to. Especially, in this case, the Western influences on the traditions and expectations of the Asian cultures. I was reminded of the tension between my mother and myself “merely” because of the age difference, not a cultural difference. Mom was 42 when I was born, 60 when I graduated high school. Expectations had most definitely shifted by then!

So let’s take a quick look at the structure of the novel. Like I said before, the story proper is divided into a prologue, 5 parts, and an epilogue. Each section is set in a different span of time, too. I think it’s interesting to see what is emphasized within those sections of the story. If we look at page count by section we’ll find the following:

Prologue 1938 – pages 1-4 = 4 pages
Part I: My Early Years 1878-1898 – pages 5-61 = 57 pages
Part II: The Hand of Fate 1899-1910 – pages 63-146 = 84 pages
Part III: Struggle 1910 – August 1921 – pages 147-281 = 135 pages
Part IV: Uncharted Territory September 1921-1930 – pages 283-360 = 78 pages
Part V: The Twilight Years 1931 – 8 December 1941 – pages 361-452 = 92 pages
Epilogue [December 1941] – pages 453-455 = 3 pages

So my first glance at these divisions makes me wonder about the relative importance of each of them. Obviously, we can discount the short prologue and epilogues, not solely because they are short. But, having read the book, I can tell you the prologue introduces what the main parts are going to discuss and why, while the epilogue wraps up what happens after the main story ends. Both have their functions, and provide needed information for the reader to fully enjoy the story. They don’t need to be long to accomplish their mission.

Despite the fact Part I: The Early Years is setting up the foundation which the main character, Chye Hoon, must grow from but never quite outgrows throughout her life, is the shortest of the parts. I suppose I understand that, because just like in life, our childhood is the shortest phase of our existence and yet it continues to impact the rest of our long lives. It took me many decades to overcome my mother telling me to sit on a chair and not move! I think I took her far too literally…

By contrast, the longest section is Part III: Struggle. It’s also the central section of the novel and I think is the heart of the story. This part shows the kind of mettle Chye Hoon possesses through some very difficult times in her life. Her efforts on behalf of her family bring to mind the kinds of sacrifices my own father endured as a child but then also turned around and had to rely upon as an adult. Not the same exact difficulties, but I can see the same determination to do whatever necessary to support the family in both of their actions.

Another aspect of the structure I found interesting is the use of flashbacks as integral to the telling of the story. In this book, the author frequently begins a scene with Chye Hoon stating a major or surprising happening followed by how it came about. Essentially, the character tells a story within the story up to and beyond the initial event that begun the scene. This structure emphasizes the sense of memoir or autobiography in the book. A rather interesting crossover of technique from a nonfiction genre to a fiction one.

I wonder if that technique is unique to this author or is it one employed by Asian storytellers in general. I am not a storyteller (oral) but from the little experience I’ve had around them they well might use this technique more than I’d realized. Either way, it’s one to stick in my toolbox!

So, next up on my Historical Fiction Around the World tour is one recommended to me just last week while I was at the IBPA PubU Conference in Orlando. I’m going to read Nguyễn Phan Qué Mai’s The Mountains Sing. This author is a Vietnamese poet and this is her first novel though she has written several other books. I hear it’s excellent so stay tuned!

Happy reading!

Betty

P.S. If you haven’t already, please consider signing up for my newsletter, which I send out most every month, including news like new covers, new releases, and upcoming appearances where I love to meet my readers, along with recipes and writing progress. Thanks and happy reading!

Visit www.bettybolte.com for more on my books and upcoming events.

On sale for only $1.99 (ebook)!

Amy Abernathy is a woman renowned for her storytelling prowess but even she cannot invent a sound reason for her suitor’s inexplicable actions. She picks up the shreds of her heart and endeavors to forget him, until he suddenly appears without any fanfare or explanation.

Benjamin Hanson returns to make amends with his captivating Amy. While he knows she’s upset with him, he also knows she’ll eventually forgive him and agree to marry him. But marriage has to wait until after he’s finished spying for the Americans against the British during the war.

When he discovers her and a friend—along with a precious gem—missing from her sister’s home, he finds them in the hands of desperate renegade soldiers. Can he protect the women, the gem, and his heart before it’s too late?

Books2Read    Amazon     Barnes and Noble     Kobo     Apple    Bookshop

Getting to know Liz Alterman #author #editor #suspense #fiction #YA #novel

My guest author today is also a fellow freelance editor. Please help me welcome Liz Alterman to the interview hot seat! Let’s take a gander at her bio and then find out more about her writing process and inspiration.

Liz Alterman is the author of a young adult novel, He’ll Be Waiting, a memoir, Sad Sacked, and a forthcoming domestic suspense novel, The Perfect Neighborhood. Her work has appeared in The New York TimesThe Washington Post, McSweeney’s, and other outlets. She lives in New Jersey with her husband and three sons where she spends most days microwaving the same cup of coffee and looking up synonyms. When she isn’t writing, she’s reading.

Author Social Links: Twitter * Instagram

Betty: What inspired you to write the story you’re sharing with us today?

Liz: Decades ago, someone shared a story about helping out a friend. Though that favor seemed simple and straightforward, it took a very strange turn. I used that concept as a starting point and built the plot around the interconnectedness of our actions and how they can have a ripple effect—for better or worse.

Betty: Which story element sparked the idea for this story: setting, situation, character, or something else?

Liz: The situation, that idea of simple favor going terribly wrong, definitely inspired me to write the novel. Then I had to come up with relatable but flawed characters who would make those choices to end up in those circumstances, which was both fun and daunting.

Betty: How many drafts of the story did you write before you felt the story was complete?

Liz: I wrote the first 50 pages prior to attending the wonderful Leopardi Writing Conference. While there, I had the opportunity to share those early chapters with an amazing editor as well as fellow writers, who shared their feedback and insight. On the flight home, I immediately began revising the opening and reconsidering the ending. In short, I’d say I wrote at least three drafts before I felt like the story was complete.

Betty: How long did it take for you to write the story you’re sharing with us? Is that a typical length of time for you? Why or why not?

Liz: The story took about a year to write, which I’ve learned is about the typical length of time it takes me to write and edit a novel. Until recently I’d been working full-time so I had to carve out time in the early morning or evening for my personal projects. I’ve almost completed a new project and I’m excited to begin sharing it. That has taken about a year as well.

Betty: What rituals or habits do you have while writing?

Liz: I like to eat something crunchy—it seems to help me think. I also like to reread the most recent section I’ve written to try to get back in the flow of the story.

Betty: Every author has a tendency to overuse certain words or phrases in drafts, such as just, once, smile, nod, etc. What are yours?

Liz: I’m trying hard to rethink my characters’ gestures and scale back on all the head shaking, nodding, and shrugging before they all end up with neck problems :).

Betty: Do you have a special place to write? Revise? Read?

Liz: I will write anywhere—in the car on a napkin if inspiration strikes, while taking a walk by typing (sloppily) into the notes app on my phone, on the back of a CVS receipt, where you can write an entire chapter, they’re so long!

I love to read in bed before I fall asleep. That’s my favorite way to end the day. But I’m happy to read anywhere if I have the chance.

Betty: Many authors have a day job. Do you? If so, what is it and do you enjoy it?

Liz: I’m a freelance writer and editor and I truly enjoy it because it’s brought me the opportunity to meet and interview really interesting people and learn about an array of new things.

Betty: As an author, what do you feel is your greatest achievement?

Liz: My greatest achievement has been not giving up in the face of so much rejection along the way.

Betty: What other author would you like to sit down over dinner and talk to? Why?

Liz: I’d love to have dinner with Judy Blume. Her MasterClass is one of my favorites and I’m in awe of her long and successful career as well as her ability to write for readers of all ages. She also comes across as a true writer’s champion so I’m sure she’d have plenty of wisdom and encouraging words to share.

Betty: Success looks different to different people. It could be wealth, or fame, or an inner joy at reaching a certain level. How do you define success in terms of your writing career?

Liz: I define success as continuing to come up with new ideas and staying motivated to keep writing even on the days when I don’t feel like doing it. I love the moments when you write a sentence or come up with a plot twist that surprises you. For me, those are magical and feel like the biggest reward.

What would you do to remember? What would you give to forget?

When Tess Porter agrees to pick up her boyfriend’s college pal at the airport on a snowy December night, she has no idea she’s about to embark on the most dangerous ride of her life. Two days later, the 17-year-old wakes up in a hospital with broken bones, unable to remember how she got there. Her parents are acting strange, and neither James, her boyfriend, nor her best friend, Izzy, has visited. As she struggles to physically recover, Tess wrestles with haunting questions: What happened? Will her memory ever return? And what if she’s better off not recalling any of it?

Buy Links: Bookshop * Amazon * B&N

Writing a chapter on the back of a CVS receipt?! I will have to try that! Thanks, Liz, for sharing a bit about your process and inspiration.

Happy reading!

Betty

Award-winning Author of Historical Fiction with Heart, and Haunting, Bewitching Love Stories

Visit www.bettybolte.com for a complete list of my books and appearances.

Subscribe to My Newsletter to learn the inside scoop about releases and more!

Follow Me on Amazon / Facebook / Twitter

Getting to know Sherrie Lea Morgan #author #paranormal #mystery #ghost #novels #novellas #amreading

Please help me welcome a fellow author who loves paranormal as much as I do! Sherrie Lea Morgan is such a sweet person with a lot of wonderful stories to share with you. Let’s take a look at her bio and then find out the secret to her success.

Sherrie Lea Morgan constantly searches for ghost walk tours in her home state of Georgia. There isn’t a haunted house she refuses to enter. Bouncing off story ideas with her twin sister is a pastime of hers, as her dog Bennett refuses to respond to her questions. When not working her current manuscripts, she enjoys spending time with her family. Although her children refuse to join her paranormal movie thrills, they are supportive in her obsession of all things scary. Of course, they are always willing to travel with her. She endeavors to show her readers a different view of ghosts in her paranormal books. Sherrie Lea also works to weave other paranormal gifts in her novellas.

Author Social Links: Website * Facebook * Twitter * Blog

Betty: What inspired you to write the story you’re sharing with us today?

Sherrie: The song “I’ll Be True to You” by the Oakridge Boys.

Betty: Which character arrived fully or mostly developed?

Sherrie: I think obviously my main character, Shannon, as she’s been there since Book 1.

Betty: Which story element sparked the idea for this story: setting, situation, character, or something else?

Sherrie: A pair of pearl earrings and the need to find out who they belonged to. Plus, as Book 9 of the series, I had to come up with something.

Betty: Which character(s) were the hardest to get to know? Why do you think?

Sherrie: The doctor because he was such an unlikeable character in a previous book. It was a challenge to sway my readers to sympathize with him.

Betty: What kind of research did you need to do to write this story?

Sherrie: Most of my research was done for the series and not one specific book. I did, however, need to verify which metaphysical term I intended to focus on and integrate it into the story. For each of the books of this series, I’ve sort of introduced a term that is reflected in Shannon’s gifts.

Betty: How many drafts of the story did you write before you felt the story was complete?

Sherrie: Really? Um…how mad would folks be if they found out I only do one really, really, really messy draft? I mean, I usually run about three rounds of edits before I send it off to the editor. So, maybe 4 before the editor and one more clean up round before being published.

Betty: How long did it take for you to write the story you’re sharing with us? Is that a typical length of time for you? Why or why not?

Sherrie: It’s been a while since I wrote this one. But most of my novellas take around two weeks to write as they’re typically under 30,000 words.

Betty: What rituals or habits do you have while writing?

Sherrie: I dictate using a voice to text program and while I’m doing that, I have music playing in my headset. For example, because this book’s storyline was inspired by the song I mentioned above, I listened to it on repeat several times while intermixing with what we used to call “easy listening” music. I grew up doing homework to this on the radio.

Betty: Every author has a tendency to overuse certain words or phrases in drafts, such as just, once, smile, nod, etc. What are yours?

Sherrie: Just, nod and I think maybe 3-8 others that I can’t remember. =)

Betty: Do you have any role models? If so, why do you look up to them?

Sherrie: Hmm. This is hard. I have role models for life and those for writing. I admire their courage and creativity.

Betty:  Do you have a special place to write? Revise? Read?

Sherrie: My desk is where I do all my writing and revisions. To do reading for enjoyment, I love Audible during long rides. Otherwise, I can read anywhere and always carry a book in my purse.

Betty: Many authors have a day job. Do you? If so, what is it and do you enjoy it?

Sherrie: My day job is writing, and I love it.

Betty: As an author, what do you feel is your greatest achievement?

Sherrie: Hearing someone say they love my characters and wanting to ask more questions about them.

Betty: What other author would you like to sit down over dinner and talk to? Why?

Sherrie: The person who wrote the epic poem Beowulf because no one knows who it is.

Betty: Success looks different to different people. It could be wealth, or fame, or an inner joy at reaching a certain level. How do you define success in terms of your writing career?

Sherrie: My definition of success is knowing someone enjoyed my stories. That’s it.

A heart that waited. Another that didn’t. Can Shannon heal their past?

The number of trinkets left in Shannon’s box is dwindling, but when she takes the gloves off for a pair of pearl earrings, her vision of a pair of star-crossed lovers tugs hard at her heart. Her search takes her from virtual Internet byways to concrete highways landing in Augusta, where she hopes to pick up the psychic trail. As she stitches the pieces together, the threads of unfinished business get tangled up with her own. And lead her to a crossroads that could either heal, or cause more heartbreak.

Buy Links: Amazon

I love stories that revolve around intriguing jewelry or found boxes in the attic full of mysterious treasure. Thanks for sharing you inspiration and process, Sherrie Lea!

Happy reading!

Betty

Award-winning Author of Historical Fiction with Heart, and Haunting, Bewitching Love Stories

Visit www.bettybolte.com for a complete list of my books and appearances.

Subscribe to My Newsletter to learn the inside scoop about releases and more!

Follow Me on Amazon / Facebook / Twitter