I must admit that this next book on my Historical Fiction Around the World series, With Fire and Sword by Polish author Henryk Sienkiewicz, is a difficult read for me. The writing can be difficult to process due to long, convoluted sentences. Add in many Polish and Russian names and words and it’s been a challenge. I meant to spend most of Thanksgiving reading it, to be honest, but didn’t feel up to that challenge despite holding my iPad with the Hoopla app on it! I will read more though and hope it snares my attention more as I delve farther into this history.
Speaking of the digital reading experience, I’m a bit frustrated with the ebook on my Hoopla app. When I stop reading and exit the app, the book gets closed. Upon reopening the app and then the book, it displays the page number where I stopped reading but defaults to the first page of the Introduction instead of to the page where I left off. Now, there are 1770+ digital pages in the ebook; I am up to page 300 or so right now. So I have to scroll through to find the page where I stopped again. Additionally, this ebook format’s header always displays “Introduction” instead of any specific chapter, which the ebook doesn’t have broken out anyway. The Table of Contents only lists four sections, to be exact, with one of those the entire story. Navigating through the ebook just adds to the challenge of reading this story. I’d really rather have a print edition…
I’m sure part of the adjustment I need to make is to the different style of language insofar as the story was written in 1884 and the author was a Polish journalist. Believe me, writing nonfiction is very different from writing fiction and can be a difficult transition. The author wrote for The Word as well as wrote short stories and other novels. He was well known and appreciated in his lifetime, the Polish people even gave him the “small estate of Oblegorek, near Kielce in south-central Poland” according to Britannica.com. Reading his work is definitely worth my time and attention given the acclaim he’s received although the novels are “criticized for their theatricality and lack of historical accuracy, they display great narrative power and contain vivid characterizations.” I’ve noticed the staging aspects of the story, almost as if he were writing a play in places. So I’ll continue reading and let you know more about the story itself next time.
Until then, happy reading!
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Audrey Harper needs more than home and hearth to satisfy her self-worth despite being raised with the idea that a woman’s place is in the home. Working as a music critic for the city newspaper in Baltimore, Maryland, during the Second World War, she’s enjoyed both financial freedom and personal satisfaction in a job well done. When she uncovers evidence of German spies working to sabotage a secret bomber plane being manufactured in her beloved city, she must choose between her sense of duty to protect her city and the urgings of her boss, her family, and her fiancé to turn over her evidence to the authorities. But when her choices lead her and her sister into danger, she is forced to risk life and limb to save her sister and bring the spies to justice.
Set against the backdrop of the flourishing musical community during the 1940s in Baltimore, Notes of Love and War weaves together the pleasure of musical performance with the dangers of espionage and spying.